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Animation - Process, Cognition and Actuality

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Process philosophy approach to the art of animation

This book is a great read for anyone interested in the theory and philosophy behind the art of animation. Dr. Dan Torre offers a unique perspective that allows readers to contemplate animation in new ways, making it an interesting read for both animators and animation enthusiasts. The book explores a wide range of animated examples, from early optical devices to contemporary urban design and installations, and presents original theories such as a process-philosophy based theory of animation and a cognitive theory of animation. If you're interested in gaining a deeper understanding of animation and its place in our world, this book is for you.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.
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Animation - Process, Cognition and Actuality

Regular price $42.90 Now $21.90 Save 49% more
Unit price
per
ISBN: 9781501349669
Estimated First-hand Retail Price: $75.52
Authors: Dan Torre
Publisher: Bloomsbury Academic
Date of Publication: 2019-02-21
Format: Paperback
Related Collections: Art, Philosophy, Creative Nonfiction
Goodreads rating: 4.67
(rated by 3 readers)

Description

Animation - Process, Cognition and Actuality presents a uniquely philosophical and multi-disciplinary approach to the scholarly study of animation, by using the principles of process philosophy and Deleuzian film aesthetics to discuss animation practices, from early optical devices to contemporary urban design and installations. Some of the original theories presented are a process-philosophy based theory of animation; a cognitive theory of animation; a new theoretical approach to the animated documentary; an original investigative approach to animation; and unique considerations as to the convergence of animation and actuality. Numerous animated examples (from all eras and representing a wide range of techniques and approaches - including television shows and video games) are examined, such as Fantastic Mr. Fox (2009), Madame Tutli-Putli (2007), Gertie the Dinosaur (1914), The Peanuts Movie (2015), Grand Theft Auto V (2013) and Dr. Katz: Professional Therapist (1995-2000).Divided into three sections, each to build logically upon each other, Dan Torre first considers animation in terms of process and process philosophy, which allows the reader to contemplate animation in a number of unique ways. Torre then examines animation in more conceptual terms in comparing it to the processes of human cognition. This is followed by an exploration of some of the ways in which we might interpret or 'read' particular aspects of animation, such as animated performance, stop-motion, anthropomorphism, video games, and various hybrid forms of animation.He finishes by guiding the discussion of animation back to the more tangible and concrete as it considers animation within the context of the actual world. With a genuinely distinctive approach to the study of animation, Torre offers fresh philosophical and practical insights that prompt an engagement with the definitions and dynamics of the form, and its current literature.
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Process philosophy approach to the art of animation

This book is a great read for anyone interested in the theory and philosophy behind the art of animation. Dr. Dan Torre offers a unique perspective that allows readers to contemplate animation in new ways, making it an interesting read for both animators and animation enthusiasts. The book explores a wide range of animated examples, from early optical devices to contemporary urban design and installations, and presents original theories such as a process-philosophy based theory of animation and a cognitive theory of animation. If you're interested in gaining a deeper understanding of animation and its place in our world, this book is for you.

Note: While we do our best to ensure the accuracy of cover images, ISBNs may at times be reused for different editions of the same title which may hence appear as a different cover.