"Travesties" is a brilliant tapestry weaving fact with fictive flair, especially if you revel in sharp, intellectual humor and historical intrigue. Stoppard's dialogue crackles, turning what could have been dry footnotes of history into a vibrant, comedic romp. It's a quick read but it's packed with clever references that demand a savvy reader who enjoys a challenge. If you like to chuckle while you chew over weighty ideas, this play will be right up your alley.

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Travesties was born out of Stoppard's noting that in 1917 three of the twentieth century's most crucial revolutionaries -- James Joyce, the Dadaist founder Tristan Tzara, and Lenin -- were all living in Zurich. Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

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