"At the front of a middle school classroom in Oklahoma, a boy named Khosrou (whom everyone calls "Daniel") stands, trying to tell a story. His story. But no one believes a word he says. To them he is a dark-skinned, hairy-armed boy with a big butt whose lunch smells funny; who makes things up and talks about poop too much. But Khosrou's stories, stretching back years, and decades, and centuries, are beautiful, and terrifying, from the moment his family fled Iran in the middle of the night with the secret police moments behind them, back to the sad, cement refugee camps of Italy.and further back to the fields near the river Aras, where rain-soaked flowers bled red like the yolk of sunset burst over everything, and further back still to the Jasmine-scented city of Isfahan. We bounce between a school bus of kids armed with paper clip missiles and spitballs to the heroines and heroes of Khosrou's family's past, who ate pastries that made people weep and cry "Akh, Tamar!" and touched carpets woven with precious gems. Like Scheherazade in a hostile classroom, Daniel weaves a tale to save his own life: to stake his claim to the truth. And it is (a true story)"

A modern masterpiece."--The New York Times Book Review

 

"Supple, sparkling and original."--The Wall Street Journal

 

"Mesmerizing."--TODAY.com

 

"This book could change the world."--BookPage

 

"Like nothing else you've read or ever will read."--Linda Sue Park

 

"It hooks you right from the opening line."--NPR

 

SEVEN STARRED REVIEWS

 

* "A modern epic."--Kirkus Reviews, starred review

 

* "A rare treasure of a book."--Publishers Weekly, starred review

 

* "A story that soars."--The Bulletin, starred review

 

* "At once beautiful and painful."--School Library Journal, starred review

 

* "Raises the literary bar in children's lit."--Booklist, starred review

 

* "Poignant and powerful."--Foreword Reviews, starred review

 

* "One of the most extraordinary books of the year."--BookPage, starred review

 

 

"A patchwork story is the shame of the refugee," Nayeri writes early in the novel. In an Oklahoman middle school, Khosrou (whom everyone calls Daniel) stands in front of a skeptical audience of classmates, telling the tales of his family's history, stretching back years, decades, and centuries. At the core is Daniel's story of how they became refugees--starting with his mother's vocal embrace of Christianity in a country that made such a thing a capital offense, and continuing through their midnight flight from the secret police, bribing their way onto a plane-to-anywhere. Anywhere becomes the sad, cement refugee camps of Italy, and then finally asylum in the U.S. Implementing a distinct literary style and challenging western narrative structures, Nayeri deftly weaves through stories of the long and beautiful history of his family in Iran, adding a richness of ancient tales and Persian folklore.

 

Like Scheherazade of One Thousand and One Nights in a hostile classroom, Daniel spins a tale to save his own life: to stake his claim to the truth. EVERYTHING SAD IS UNTRUE (a true story) is a tale of heartbreak and resilience and urges readers to speak their truth and be heard.