Pop Culture

If you're fascinated by the intersection of music and societal shifts, this is your fix. It delves into iconic movements and bands that have shaped not only music but also youth culture, gender norms, and political landscapes. Imagine revisiting the raw energy of punk and grunge scenes, understanding how they echoed and influenced the times – it's history, but with a killer soundtrack.

On the thirtieth anniversary of the rise to popularity of punk rock, a collection of articles, interviews, and photography from the pages of MOJO magazine looks at the history of punk and the artists, music, and culture it spawned.

Destined to become a classic on the subject alongside Legs McNeil’s Please Kill Me , Babylon’s Burning is a groundbreaking, definitive account of punk rock, one of the most influential and lasting music movements in history—a movement that ironically was built on self-annihilation. Acclaimed critic Clinton Heylin seamlessly weaves together the lives of disparate artists who had in common not the music (there was no distribution) but the pictures, words, and fashions depicted in magazines like Creem and NME . It was a sound that eschewed conventional lyrics, promoted a gutteral musicality but yet contained a keen pop sensibility. Whether exploring the work of early progenitors like Suicide, The New York Dolls, and Patti Smith or charting the progress of the bands who legitimately took up the mantle in the eighties and nineties, Clinton Heylin brings to life the strands of a global artform. From the Sex Pistols’s clarion call of a record, “Never Mind the Bollocks,” to Kurt Cobain’s songs of an alienated youth, Babylon’s Burning is the brilliant, exhaustively researched story that once and for all defines what Punk is and is not.

Scrawl Too could be a great read for anyone interested in contemporary art and graffiti culture. The book explores the use of mixed media and techniques to create unique and rebellious street-inspired art that speaks its own language. The book also showcases works from artists worldwide and different creative identities that have emerged from the graffiti tradition. This book offers a fascinating glimpse into the process-led visual revolution that has transformed the art world in the 21st century.

What Britain refined, America defined. Assembled by two key figures at the heart of the movement and told through the voices o musicians, artists, iconoclastic reporters and entrepreneurial groupies, PLEASE KILL ME is the full decadent story of the American punk scene, through the early years of Andy Warhol's Factory to the New York underground of Max's Kansas City and later, its heyday at CBGB's, spiritual home to the Ramones, Talking Heads, Television and Blondie. PLEASE KILL ME goes backstage and behind apartment doors to chronicle the sex, drugs and power struggles that were the very fabric of the American punk community, to the time before piercing and tattoos became commonplace and when every concert, new band and fashion statement marked an absolute first. From Iggy Pop and Lou Reed to the Clash and the Sex Pistols (the first time around), McNeil and McCain document a time of glorious self-destruction and perverse innocence - possibly the last time so many will so much fun in the pursuit of excess.

Recommended for music history buffs and fans. Provides insightful look at the underground and subversive music scene, featuring legendary bands like Black Flag, Sonic Youth and Husker Du.

Was punk just another moment in music history, a flash in time when a group of young rebels exploded in a fury of raw sound, outrageous styles, and in-your-face attitude? Greil Marcus, author of the renowned "Lipstick Traces," delves into the after-life of punk as a much richer phenomenon a form of artistic and social rebellion that continually erupts into popular culture.In more than seventy short pieces written over fifteen years, he traces the uncompromising strands of punk from Johnny Rotten to Elvis Costello, Sonic Youth, even Bruce Springsteen. Marcus's unparalleled insight into present-day culture and brilliant ear for music bring punk's searing half-life into deep focus. Originally published in the U.S. as "Ranters and Crowd Pleasers.""