Mythology

If you're looking for a blend of dark fantasy and romance, "Dying Wish" might just hit the mark. Jackie's story of emerging from captivity with a newfound purpose is both gripping and heart-wrenching. Choosing Iain, the Theronai warrior who has given up on his own salvation, adds a compelling layer to this tale where love battles the bleakest of fates. Shannon K. Butcher weaves a tale that isn't just about the physical battles against the Synestryn, but also about the internal struggles that can define and change us.

"The Thirteenth Tale" is a mesmerizing blend of gothic elements with a deep emotional core, perfect for anyone who revels in stories that are as rich and complex as they are mysterious. If you have a penchant for narratives that delve into the past's secrets and speak to the transformative power of storytelling, Diane Setterfield's craft will pull you into its hauntingly beautiful labyrinth. The book's intricate plot and evocative prose promise to captivate you, echoing the timeless tradition of stories passed down through generations.

"October Mourning" invites you into the gothic corridors of St. Fillan's Hospital, merging past and present with a blend of psychological intrigue and historical fiction. If you're drawn to the shadowy corners of human psychology and the historical evolution of mental health care, this story offers you a chilling exploration. Loren J. Chaucer's narrative promises to be as captivating as it is unsettling, weaving a tale that will stay with you long after the last page.

This book is a heart-pounding sequel that delves into the hidden depths of human nature. As Juliet tries to rebuild her life, a murderer emerges, leaving a sinister calling card. With her own illness worsening, Juliet must search for a cure while also confronting her troubled past. The gripping suspense will keep you on the edge of your seat until the very end. Warning: prepare for sleepless nights!

'Christopher's house stood out on its cliff like stages of lunar madness. It was the night of the first storm, not of winter, but of that week before winter which is the last warning to all creatures to dig themselves in...' Christopher Barocco is a self-made man of considerable means who decrees the building of a house in his image, to be carved out of a wild and treacherous Californian hillside in the Sierra Nevada valleys. However, as those who are drawn into his grand design soon discover, Barocco is also a man with a shadowy past; and the house is not destined to be a place where he will find peace but, rather, a catalyst for passion, violence, and death. First published in 1956, The Self-Enchanted was David Stacton's third novel. 'A Gothic extravaganza... [Stacton] seems to participate with so much fervour in the fantasies he describes.' Times Literary Supplement