If you're drawn to stories that blend the everyday with the extraordinary, "All Sorts of Possible" is an intriguing pick. Rupert Wallis crafts a tale that tugs at your heart with its exploration of resilience in the face of odd and mystical challenges. It's an uplifting read with a dash of the supernatural that could stir both your imagination and emotions.
If you're drawn to the raw courage and hair-raising adventures that define the age of Antarctic exploration, "Mawson" is a must-read. Peter FitzSimons paints an evocative picture of the relentless determination and survival against all odds that characterized Mawson's expeditions. His account not only illuminates Mawson's overlooked legacy but also places him among the celebrated ranks of Scott, Shackleton, and Amundsen. This book is a gripping tribute to the indomitable human spirit facing the extremes of nature.
Wrap up warm to explore the world of polar bears, where young children can discover how polar bears keep warm, catch their prey and survive in the dangerous icy waters of the Arctic Circle.
If you're fascinated by packaging, "Experimental Packaging" is a must-read. Roger Fawcett-Tang offers a collection of unique and innovative ideas that challenge conventional design. It's a visual feast that can inspire anyone in the field of design to think outside the proverbial box, whether you're a seasoned professional or a student looking to push the boundaries of your creativity.
If you're someone who delights in stories that transcend time and place, "North Woods" might just nestle into your heart like a timeless echo of humanity. Daniel Mason's tapestry of characters weaves through history, capturing how deeply intertwined our lives are with the natural world around us. With its rich narrative and evocative prose, this book could offer both an escape and a profound connection to the cycles of life and history that envelop us.
An extraordinary first novel that tells the story of a British piano tuner sent deep into Burma in the nineteenth century.
In October 1886, Edgar Drake receives a strange request from the British War Office: he must leave his wife and his quiet life in London to travel to the jungles of Burma, where a rare Erard grand piano is in need of repair. The piano belongs to an army surgeon-major whose unorthodox peacemaking methods—poetry, medicine, and now music—have brought a tentative quiet to the southern Shan States but have elicited questions from his superiors.
On his journey through Europe, the Red Sea, India, and into Burma, Edgar meets soldiers, mystics, bandits, and tale-spinners, as well as an enchanting woman as elusive as the surgeon-major. And at the doctor’s fort on a remote Burmese river, Edgar encounters a world more mysterious and dangerous than he ever could have imagined.
Sensuous, lyrical, rich with passion and adventure, this is a hypnotic tale of myth, romance, and self-discovery: an unforgettable novel.
From the Hardcover edition.
Author: Daniel Mason Format: Paperback Number of Pages: 317 Publisher: Random House LCC US Publication Date: 01 Oct 2003
This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.Contents:Part I. Introduction. The art of the short story.-- Part II. Stories [A-J]. Chinua Achebe: Dead men's path ; Author's perspective, Achebe: modern Africa as the crossroads of culture -- Sherwood Anderson: Hands ; Author's perspective, Anderson: Words not plot give form to a short story -- Margaret Atwood: Happy endings ; Author's perspective, Atwood: On the Canadian identity -- James Baldwin: Sonny's blues ; Author's perspective, Baldwin: Race and the African-American writer -- Jorge Luis Borges: The garden of forking paths ; Author's perspective, Borges: Literature as experience -- Albert Camus: The guest ; Author's perspective, Camus: Revolution and repression in Algeria -- Raymond Carver: Cathedral ; A small, good thing ; Author's perspective, Carver: Commonplace but precise language -- Willa Cather: Paul's case ; Author's perspective, Cather: Art as the process of simplification -- John Cheever: The swimmer ; Author's perspective, Cheever: Why I write short stories -- Anton Chekhov: The lady with the pet dog ; Misery ; Author's perspective, Chekhov: Natural description and "The center of gravity" -- Kate Chopin: The storm ; The story of an hour ; Author's perspective, Chopin: My writing method -- Sandra Cisneros: Barbie-Q ; Author's perspective, Cisneros: Bilingual style -- Joseph Conrad: The secret sharer ; Author's perspective, Conrad: The condition of art -- Stephen Crane: The open boat ; Author's perspective, Crane: The sinking of the Commodore -- Ralph Ellison: A party down at the square ; Author's perspective, Ellison: Race and fiction -- William Faulkner: Barn burning ; A rose for Emily ; Author's perspective, Faulkner: The human heart in conflict with itself -- F. Scott Fitzgerald: Babylon revisited ; Author's perspective, Fitzgerald: On his own literary aims -- Gustave Flaubert: A simple heart ; Author's perspective, Flaubert: The labor of style -- Gabriel García Marquez: A very old man with enormous wings ; Author's perspective, García Marquez: My beginnings as a writer -- Charlotte Perkins Gilman: The yellow wallpaper ; Author's perspective, Gilman: Why I wrote "The yellow wallpaper" -- Nikolai Gogol: The overcoat ; Author's perspective, Gogol: On realism -- Nadine Gordimer: A company of laughing faces ; Author's perspective, Gordimer: How the short story differs from the novel -- Nathaniel Hawthorne: Young Goodman Brown ; The birthmark ; Author's perspective, Hawthorne: On the public failure of his early stories -- Ernest Hemingway: A clean, well-lighted place ; Author's perspective, Hemingway: One true sentence -- Zora Neale Hurston: Sweat ; Author's perspective, Hurston: Eatonville when you look at it -- Shirley Jackson: The lottery ; Author's perspective, Jackson: The public reception of "The lottery" -- Henry James: The real thing ; Author's perspective, James: The mirror of a consciousness -- Ha Jin: Saboteur ; Author's perspective, Jin: Deciding to write in English -- James Joyce : Araby ; The dead ; Author's perspective, Joyce: Epiphanies. Contents: Part II[ Cont.]. Stories [K-W]. Franz Kafka: Before the law ; The metamorphosis ; Author's perspective, Kafka: Discussing The metamorphosis -- D.H. Lawrence: Odour of Chrysanthemums ; The rocking-horse winner ; Author's perspective, Lawrence: The novel is the bright book of life -- Ursula K. Le Guin: the ones who walk away from Omelas ; Author's perspective, Le Guin: On "The ones who walk away from Omelas" -- Doris Lessing: A woman on a roof ; Author's perspective, Lessing: My beginnings as a writer -- Jack London: To build a fire ; Author's perspective, London: Defending the factuality of "To build a fire" -- Katherine Mansfield: Miss Brill ; The garden-party ; Author's perspective, Mansfield: On "The garden-party" -- Bobbie Ann Mason: Shiloh ; Author's perspective, Mason: Minimalist fiction -- Guy de Maupassant: The necklace ; Author's perspective, Maupassant: The realist method -- Herman Melville: Bartleby, the scrivener : a story of Wall-Street ; Author's perspective, Melville: American literature -- Yukio Mishima: Patriotism ; Author's perspective, Mishima: Physical courage and death -- Alice Munro: How I met my husband ; Author's perspective, Munro: How I write short stories -- Joyce Carol Oates: where are you going, where have you been? ; Author's perspective, Oates: Productivity and the critics -- Flannery O'Connor: A good man is hard to find ; Revelation ; Author's perspective, O'Connor: The element of suspense in "A good man is hard to find" -- Edgar Allan Poe: The fall of the House of Usher ; The Tell-tale heart ; Author's perspective, Poe: The tale and its effect -- Katherine Anne Porter: Flowering Judas ; Author's perspective, Porter: Writing "Flowering Judas" -- Leslie Marmon Silko: The man to send rain clouds ; Author's perspective, Silko: the basis of "The man to send rain clouds" -- Isaac Bashevis singer: Gimpel the Fool ; Author's perspective, Singer: The character of Gimpel -- Leo Tolstoy: The death of Ivan Ilych ; Author's perspective, Tolstoy: The moral responsibility of art -- John Updike: Separating ; Author's perspective, Why write? -- Alice Walker: Everyday use ; Author's perspective, Walker: The Black woman writer in America -- Eudora Welty: Why I live at the P.O. ; Author's perspective, Welty: The plot of the short story -- Edith Wharton: Roman fever ; Author's perspective, Wharton: The subject of short stories -- Virginia Woolf: A haunted house ; Author's perspective, Woolf: Women and fiction. Contents: Part III. Writing. The elements of short fiction -- Writing about fiction -- Critical approaches to literature. Formalist criticism: Light and darkness in "Sonny's Blues" / Michael Clark -- Biographical criticism: Chekhov's attitude to romantic love / Virginia Llewellyn Smith -- Historical criticism: The Argentine context of Borges's fantastic fiction / John King -- Psychological criticism: The father-figure in "The tell-tale heart" / Daniel Hoffman -- Mythological criticism: Myth in Faulkner's "Barn Burning" / Edmond Volpe -- "Sociological criticism: Money and labor in "The rocking-horse winner" / Daniel P. Watkins -- Gender criticism: Gender and pathology in "The yellow wallpaper" / Juliann Fleenor -- Reader-response criticism: An Eskimo "A Rose for Emily" / Stanley Fish -- Deconstructionist criticism: The death of the author / Roland Barthes -- Cultural studies: What is cultural studies? / Makr Bauerlein. Part IV. Glossary of literary terms.
If you're intrigued by storytelling that defies convention, Ada or Ardor is right up your alley. Nabokov's narrative gymnastics coupled with his playful mastery of language could offer you an unconventional literary adventure. Be prepared for a challenging but potentially rewarding read that tests the boundaries of time, romance, and narrative form.
Following the immense success of The Art of the Tale, Daniel Halpern has assembled the next generation of short-story writers—those born after 1937—to create a companion volume, The Art of the Story. Attesting to the depth, range, and continued popularity of short fiction, this collection includes seventy-eight contributors from thirty-five countries. The Art of the Story combines the best of the established masters as well as the fresh, new voices of writers whose work has seldom been translated into English.Includes:Gift from somewhere by Ama Ata AidooKeeper of the virgins by Hanan Al-ShaykhAmor divino by Julia AlvarezImmortals by Martin AmisGlass tower by Reinaldo ArenasWilderness tips by Margaret AtwoodGorilla, my love by Toni Cade BambaraMy mother's memoirs, my father's lie, and other true stories by Russell BanksG-string by Nicola BarkerEvermore by Julian BarnesAren't you happy for me? by Richard BauschIn Amalfi by Ann BeattieRara avis by T. Coraghessan BoyleMr. Green by Robert Olen ButlerFat man in history by Peter CareyCourtship of Mr. Lyon by Angela CarterAre these actual miles? by Raymond CarverOld man slave and the mastiff by Patrick ChamoiseauDharma by Vikram ChandraNever marry a Mexican by Sandra CisnerosProspect from the silver hills by Jim CraceNight women by Edwidge DanticatHouse behind by Lydia DavisAll because of the mistake by Daniele del GiudiceYsrael by Junot DíazBetrayal by Patricia DunckerReflections of spring by Duong Thu HuongGirl who left her sock on the floor by Deborah EisenbergTwenty-seventh man by Nathan EnglanderParakeet by Victor ErofeyevRoberto narrates by Péter EsterházyMy father, the Englishman, and I by Nuruddin FarahOptimists by Richard FordStory of the lizard who had the habit of dining on his wives by Eduardo GaleanoHammam by Hervé GuibertEscort by Abdulrazak GurnahMidnight and I'm not famous yet by Barry HannahPortrait of the avant-garde by Peter HøegMoving house by Pawel HuelleFamily supper by Kazuo IshiguroEncounter by Roy JacobsenFirst day by Edward P. JonesRemember young Cecil by James KelmanIntimacy by Hanif KureishiStump-grubber by Torgny LindgrenWish by Bobbie Ann MasonEverything in this country must by Colum McCannPornography by Ian McEwanBehind the blue curtain by Steven MillhauserWilling by Lorrie MooreLifeguard by Mary MorrisCanebrake by Mohammed MrabetManagement of grief by Bharati MukherjeeMuradhan and Selvihan, or, The tale of the crystal kiosk by Murathan MunganElephant vanishes by Haruki MurakamiMark of Satan by Joyce Carol OatesIn the shadow of war by Ben OkriWhere the jackals howl by Amos OzLife and adventures of shed number XII by Victor PelevinTalking dog by Francine ProseFree radio by Salman RushdieAfrica kills her sun by Ken Saro-WiwaRing by Ingo SchulzeLearning to swim by Graham SwiftRiddle by Antonio TabucchiMinutes of glory by Ngugi Wa Thiong'oOn the golden porch by Tatyana TolstayaJohn-Jin by Rose Tremain by Who, me a bum? by Luisa ValenzuelaCinnamon skin by Edmund WhiteYou can't get lost in Cape Tower by Zoë WicombDoc's story by John Edgar WidemanFarm by Joy WilliamsDirt angel by Jeanne WilmotGreen man by Jeanette WintersonNight in question by Tobias WolffChild who raised poisonous snakes by Can XueHelix by Banana Yoshimoto
This book is a great choice for designers looking to create unique, out-of-the-box packaging and book formats. With over 100 case studies, it provides inspiration and practical knowledge to help push boundaries and experiment with different materials and techniques. The extensive directory of materials and basic box templates is also a useful resource for designers looking to expand their skills and knowledge in this area.
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