Results for "Paul Mason"

If you're keen on understanding the real-life dynamics that led to the catastrophic financial crisis of 2008, "Meltdown" is a must-read. Paul Mason doesn't just chronicle events; he takes you to the ground level and weaves a narrative that connects the boardrooms to the factory floors, revealing the systemic arrogance that precipitated a global crisis. As you turn its pages, you may find yourself freshly informed and critically aware of the intricate workings of our economic systems and the ideologies that shape them. This book isn't just history; it's a cautionary tale that resonates in today's financial climates.

If current events and social movements stir your interest, Paul Mason's update to "Why It's Still Kicking Off Everywhere" will resonate with you. Mason's blend of on-the-ground reportage and analytical prowess offers a vivid snapshot of various movements, from Occupy to the Arab Spring. It's a compelling read for those keen on understanding the intersection of technology, economics, and political activism in shaping today's world.

If you're fascinated by the interplay of religion and real-world power struggles, "In God's Name" could be the gripping read you're looking for. David Yallop weaves a compelling narrative that dives deep into the shadows of the Vatican, uncovering a story so engrossing it could rival any fictional thriller. The new evidence presented might just shift your perspective on the sanctity of religious institutions.

If you're intrigued by the ever-evolving landscape of our economic systems and wonder what comes next after capitalism, "Postcapitalism" might be the compass you need. Paul Mason delves into how information technology is catalyzing profound changes in how we understand work and value, suggesting an upcoming seismic shift. It's a thought-provoking read if you're into economics, societal structures, and envisioning a sustainable, equitable future.

If you're drawn to the raw courage and hair-raising adventures that define the age of Antarctic exploration, "Mawson" is a must-read. Peter FitzSimons paints an evocative picture of the relentless determination and survival against all odds that characterized Mawson's expeditions. His account not only illuminates Mawson's overlooked legacy but also places him among the celebrated ranks of Scott, Shackleton, and Amundsen. This book is a gripping tribute to the indomitable human spirit facing the extremes of nature.

If you find yourself chuckling at the peculiarities of the literary world, "Dear Reader" is a treasure trove of wit that will resonate with you. Blending the nostalgia of old publishing with the digital shake-up, it treats the industry's evolution with humor and heart. Imagine lifting the curtain to peek backstage of the book world—this read does it with a wink and a smile.

PostCapitalism is a must-read for those interested in understanding the current economic climate and how we can work towards a more equal society. Paul Mason provides an insightful analysis of how information technology is already changing our notions of work, production and value, and offers hope that from the recent financial crisis, we have the chance to create a more socially just and sustainable global economy.

Recommendation: 1. This book is a captivating exploration of the often overlooked history of the Arabian Gulf region. With extensive research and access to previously closed archives, Paul Rich uncovers the true origins of the Gulf's political landscape. From the influence of the British Raj to the creation of the sheikhdoms, this book is a must-read for anyone interested in understanding the complexity and nuances of the Middle East. 2. If you're looking to delve deeper into the political dynamics of the Middle East, "Creating the Arabian Gulf" provides valuable insights. Through meticulous research, Paul Rich sheds light on the British influence and political manipulations that shaped the region's sheikhdoms. This book will challenge your understanding of the Gulf's history and its modern-day implications. 3. "Creating the Arabian Gulf" uncovers the hidden history of the region and challenges common misconceptions. Paul Rich's extensive experience and access to previously closed archives make this book a valuable resource for scholars and students interested in Middle East studies and international relations. If you're intrigued by the intricate web of power and influence in the Arabian Gulf, this book is a must-read.

Mauve isn't just a biography; it's a vibrant piece of history wrapped in science and serendipity. Imagine reading about a young man's stumble into fame and fortune, leading to an explosion of technological and cultural shifts. As you weave through Simon Garfield's storytelling, you can't help but appreciate how a single shade of purple could redefine our world.

In Rhinoceros, as in his early plays, Ionesco startles audiences with a world that invariably erupts in explosive laughter and nightmare anxiety. A rhinoceros suddely apears in a small town, tramping through its peaceful streets. Soon there are two, then three, until the "movement" is universal: a transformation of average citizens into beasts, as they learn to "move with the times." Finally, only one man remains. "I'm the last man left, and I'm staying that way until the end. I'm not capitulating!" Rhinoceros is a commentary on the absurdity of the human condition made tolerable only by self-delusion. It shows us the struggle of the individual to maintain integrity and identity alone in a world where all others have succumbed to the "beauty" of brute force, natural energy and mindlessness.

This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.Contents:Part I. Introduction. The art of the short story.-- Part II. Stories [A-J]. Chinua Achebe: Dead men's path ; Author's perspective, Achebe: modern Africa as the crossroads of culture -- Sherwood Anderson: Hands ; Author's perspective, Anderson: Words not plot give form to a short story -- Margaret Atwood: Happy endings ; Author's perspective, Atwood: On the Canadian identity -- James Baldwin: Sonny's blues ; Author's perspective, Baldwin: Race and the African-American writer -- Jorge Luis Borges: The garden of forking paths ; Author's perspective, Borges: Literature as experience -- Albert Camus: The guest ; Author's perspective, Camus: Revolution and repression in Algeria -- Raymond Carver: Cathedral ; A small, good thing ; Author's perspective, Carver: Commonplace but precise language -- Willa Cather: Paul's case ; Author's perspective, Cather: Art as the process of simplification -- John Cheever: The swimmer ; Author's perspective, Cheever: Why I write short stories -- Anton Chekhov: The lady with the pet dog ; Misery ; Author's perspective, Chekhov: Natural description and "The center of gravity" -- Kate Chopin: The storm ; The story of an hour ; Author's perspective, Chopin: My writing method -- Sandra Cisneros: Barbie-Q ; Author's perspective, Cisneros: Bilingual style -- Joseph Conrad: The secret sharer ; Author's perspective, Conrad: The condition of art -- Stephen Crane: The open boat ; Author's perspective, Crane: The sinking of the Commodore -- Ralph Ellison: A party down at the square ; Author's perspective, Ellison: Race and fiction -- William Faulkner: Barn burning ; A rose for Emily ; Author's perspective, Faulkner: The human heart in conflict with itself -- F. Scott Fitzgerald: Babylon revisited ; Author's perspective, Fitzgerald: On his own literary aims -- Gustave Flaubert: A simple heart ; Author's perspective, Flaubert: The labor of style -- Gabriel García Marquez: A very old man with enormous wings ; Author's perspective, García Marquez: My beginnings as a writer -- Charlotte Perkins Gilman: The yellow wallpaper ; Author's perspective, Gilman: Why I wrote "The yellow wallpaper" -- Nikolai Gogol: The overcoat ; Author's perspective, Gogol: On realism -- Nadine Gordimer: A company of laughing faces ; Author's perspective, Gordimer: How the short story differs from the novel -- Nathaniel Hawthorne: Young Goodman Brown ; The birthmark ; Author's perspective, Hawthorne: On the public failure of his early stories -- Ernest Hemingway: A clean, well-lighted place ; Author's perspective, Hemingway: One true sentence -- Zora Neale Hurston: Sweat ; Author's perspective, Hurston: Eatonville when you look at it -- Shirley Jackson: The lottery ; Author's perspective, Jackson: The public reception of "The lottery" -- Henry James: The real thing ; Author's perspective, James: The mirror of a consciousness -- Ha Jin: Saboteur ; Author's perspective, Jin: Deciding to write in English -- James Joyce : Araby ; The dead ; Author's perspective, Joyce: Epiphanies. Contents: Part II[ Cont.]. Stories [K-W]. Franz Kafka: Before the law ; The metamorphosis ; Author's perspective, Kafka: Discussing The metamorphosis -- D.H. Lawrence: Odour of Chrysanthemums ; The rocking-horse winner ; Author's perspective, Lawrence: The novel is the bright book of life -- Ursula K. Le Guin: the ones who walk away from Omelas ; Author's perspective, Le Guin: On "The ones who walk away from Omelas" -- Doris Lessing: A woman on a roof ; Author's perspective, Lessing: My beginnings as a writer -- Jack London: To build a fire ; Author's perspective, London: Defending the factuality of "To build a fire" -- Katherine Mansfield: Miss Brill ; The garden-party ; Author's perspective, Mansfield: On "The garden-party" -- Bobbie Ann Mason: Shiloh ; Author's perspective, Mason: Minimalist fiction -- Guy de Maupassant: The necklace ; Author's perspective, Maupassant: The realist method -- Herman Melville: Bartleby, the scrivener : a story of Wall-Street ; Author's perspective, Melville: American literature -- Yukio Mishima: Patriotism ; Author's perspective, Mishima: Physical courage and death -- Alice Munro: How I met my husband ; Author's perspective, Munro: How I write short stories -- Joyce Carol Oates: where are you going, where have you been? ; Author's perspective, Oates: Productivity and the critics -- Flannery O'Connor: A good man is hard to find ; Revelation ; Author's perspective, O'Connor: The element of suspense in "A good man is hard to find" -- Edgar Allan Poe: The fall of the House of Usher ; The Tell-tale heart ; Author's perspective, Poe: The tale and its effect -- Katherine Anne Porter: Flowering Judas ; Author's perspective, Porter: Writing "Flowering Judas" -- Leslie Marmon Silko: The man to send rain clouds ; Author's perspective, Silko: the basis of "The man to send rain clouds" -- Isaac Bashevis singer: Gimpel the Fool ; Author's perspective, Singer: The character of Gimpel -- Leo Tolstoy: The death of Ivan Ilych ; Author's perspective, Tolstoy: The moral responsibility of art -- John Updike: Separating ; Author's perspective, Why write? -- Alice Walker: Everyday use ; Author's perspective, Walker: The Black woman writer in America -- Eudora Welty: Why I live at the P.O. ; Author's perspective, Welty: The plot of the short story -- Edith Wharton: Roman fever ; Author's perspective, Wharton: The subject of short stories -- Virginia Woolf: A haunted house ; Author's perspective, Woolf: Women and fiction. Contents: Part III. Writing. The elements of short fiction -- Writing about fiction -- Critical approaches to literature. Formalist criticism: Light and darkness in "Sonny's Blues" / Michael Clark -- Biographical criticism: Chekhov's attitude to romantic love / Virginia Llewellyn Smith -- Historical criticism: The Argentine context of Borges's fantastic fiction / John King -- Psychological criticism: The father-figure in "The tell-tale heart" / Daniel Hoffman -- Mythological criticism: Myth in Faulkner's "Barn Burning" / Edmond Volpe -- "Sociological criticism: Money and labor in "The rocking-horse winner" / Daniel P. Watkins -- Gender criticism: Gender and pathology in "The yellow wallpaper" / Juliann Fleenor -- Reader-response criticism: An Eskimo "A Rose for Emily" / Stanley Fish -- Deconstructionist criticism: The death of the author / Roland Barthes -- Cultural studies: What is cultural studies? / Makr Bauerlein. Part IV. Glossary of literary terms.

More than 150 inspired—and inspiring—novelists, poets, playwrights, painters, philosophers, scientists, and mathematicians on how they subtly maneuver the many (self-inflicted) obstacles and (self-imposed) daily rituals to get done the work they love to do.Franz Kafka, frustrated with his living quarters and day job, wrote in a letter to Felice Bauer in 1912, “time is short, my strength is limited, the office is a horror, the apartment is noisy, and if a pleasant, straightforward life is not possible then one must try to wriggle through by subtle maneuvers.” Kafka is one of 161 minds who describe their daily rituals to get their work done, whether by waking early or staying up late; whether by self-medicating with doughnuts or bathing, drinking vast quantities of coffee, or taking long daily walks. Thomas Wolfe wrote standing up in the kitchen, the top of the refrigerator as his desk, dreamily fondling his “male configurations”.... Jean-Paul Sartre chewed on Corydrane tablets (a mix of amphetamine and aspirin), ingesting ten times the recommended dose each day ... Descartes liked to linger in bed, his mind wandering in sleep through woods, gardens, and enchanted palaces where he experienced “every pleasure imaginable.”Here are: Anthony Trollope, who demanded of himself that each morning he write three thousand words (250 words every fifteen minutes for three hours) before going off to his job at the postal service, which he kept for thirty-three years during the writing of more than two dozen books ... Karl Marx ... Woody Allen ... Agatha Christie ... George Balanchine, who did most of his work while ironing ... Leo Tolstoy ... Charles Dickens ... Pablo Picasso ... George Gershwin, who, said his brother Ira, worked for twelve hours a day from late morning to midnight, composing at the piano in pajamas, bathrobe, and slippers....Here also are the daily rituals of Charles Darwin, Andy Warhol, John Updike, Twyla Tharp, Benjamin Franklin, William Faulkner, Jane Austen, Anne Rice, and Igor Stravinsky (he was never able to compose unless he was sure no one could hear him and, when blocked, stood on his head to “clear the brain”).

If you're at your wit's end dealing with the unpredictable behaviors that come with someone close to you having BPD, 'Stop Walking on Eggshells' could be a lifeline. With its updated research and practical advice, this book is a valuable resource for understanding and communicating better with your loved one, while also taking care of yourself. It's no wonder that so many have found solace and strategy within its pages.